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All of you!
Okay, so all of you may not technically be playwrights (although some of you are — and great ones, in our opinion!), but you are a tremendous part of Essential’s story. Thanks to everyone who came out last night to UncleMaddio’s in Toco Hills to celebrate with us. Here are some photos from the evening. We have some pretty amazing friends,
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What makes Essential essential? What our playwrights have to say
We’ve made it 1/3 of the way to our goal with exactly two weeks to go in our power2give campaign: http://power2give.org/go/p/8445
Make your donation today, and join us tonight at Uncle Maddio’s Pizza Joint Toco Hills to celebrate, and a percentage of their sales will be donated back to Essential!
While you’re there, lend your own voice at our video booth by answering the question “What makes Essential essential to you?” Here are some responses our playwrights have shared over the years:
Valetta Anderson: “The Essential Theatre was the essential ingredient in furthering my career as a playwright and expanding my voice into film by providing the one thing that is missing from most new play’s development process,
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CELEBRITY CHEF MATTHEW MYERS!
Here’s a bit of trivia for you: Did you know that more characters were killed off in STRAY DOGS than in any show Essential has ever done — except BAT-HAMLET, of course!
JOIN ACTOR, PLAYWRIGHT AND CELEBRITY CHEF MATTHEW MYERS TOMORROW NIGHT AT UNCLE MADDIO’S TOCO HILLS for fun, fellowship — and prizes! 15% of proceeds will be donated to Essential.
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Celebrity Chef Peter Hardy!
Peter Hardy is not only the founder and current artistic director of Essential Theatre. He is a prolific writer as well: he penned the first plays Essential produced that were by a Georgia playwright, which were produced in 1991, WANDERING DESIRES and IF I SHOULD DIE BEFORE I WAKE, as well as several others throughout the years: MYSTERIOUS CONNECTIONS (photo below by Nancy Johnson, 2013 Essential Theatre Play Festival) was one of ten plays chosen out of more than a thousand applicants for the Eugene O’Neill Theater Center’s National Playwrights Conference,
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Katie Grant Shalin
From SWIMMING WITH JELLYFISH:
“I used to come home and your mother, she would be so happy, like she was waiting all day for the moment I walked through the door….And we would laugh and laugh. I mean there is nothing better than laughing with your mother. And we would sit on the living room floor eating pizza out of a box. It was sloppy and unfocused…but it was brilliant.”
“What happens now? What happens now is that I stay. I stay and try to find my way back to the pizza in the box.”
FIND YOUR WAY TO THE PIZZA WITH US WEDNESDAY NIGHT AT UNCLE MADDIO’S TOCO HILLS!
Click here to read more, or sign up for our mailing list at the bottom of the page to receive our newsletter directly!
THIS WEDNESDAY, December 10, join “Celebrity Chefs” Peter Hardy and Matthew Myers, along with the rest of the Essential Theatre, at Uncle Maddio’s Pizza (Toco Hills) from 5-9pm. Great food, good friends, and all in support of a cause you love!
You can come by just for supper, or you can enjoy any of a number of festive goings-on we have planned:
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Bill Gibson
Most recently seen on Essential’s stage: CHRIST AMERICA, part of the 2013 Bare Essentials Play Reading Series
Q: When did you first start writing plays?
A: In 1994 I attended a play workshop at Emory and then joined the Southeast Playwright’s Project. My first play was produced in 1996 and my first full-length, WARTS, won the Essential Theatre Playwriting Award in 2002. Since then I have had about 20 plays produced in Atlanta, New York and elsewhere. (For a full interview from his reading this summer:https://essentialtheatre.com/meet-the-playwright-bill-g…/)
We are proud to support Bill’s work.
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Daryl Fazio
Although producing new plays is the primary focus of Essential’s work to support Georgia playwrights, play readings are also a vital part of the play development process, and we do host play readings as well.
Daryl Fazio, who has performed on our stage and designed much of the graphic art you’ve seen associated with our festivals the past couple of years, is also an accomplished Georgia playwright. Last spring, her play SPLIT IN THREE, which you may remember from Essential’s own 2012 Bare Essentials Play Reading Series, was read as part of Florida Repertory’s first annual PlayLab Festival —
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Valetta Anderson
LEAVING LIMBO, which we premiered in 2006, was an excellent example of how you can learn about a script from your audiences. Night after night, people would leave to go to the bathroom during one particularly long scene, which told us we were losing their attention with that scene. Producing new plays is an absolutely vital part of the play development process: you can’t predict audience reactions in a vacuum!
“Without that Essential production, LEAVING LIMBO would be as unrealized a a pre-digital-era photograph lnguishing on a developed but not-printed roll of film.”
