LESS THAN TWO WEEKS LEFT IN OUR POWER2GIVE CAMPAIGN

THE ESSENTIAL THEATRE NEEDS YOUR HELP

IF YOU BELIEVE IN OUR WORK TO SUPPORT, DEVELOP AND PRODUCE NEW PLAYS BY GEORGIA PLAYWRIGHTS, READ ON!

Since 1999 the Essential Theatre Play Festival has been bringing new plays by Georgia writers to Atlanta audiences, and over the years we’ve become recognized as an important part of the Atlanta cultural scene.  We’ve been fortunate to have some of the best professional theatre artists in the area work on our productions, usually for small fees that were only a fraction of what they could earn elsewhere.  This summer we’ll be producing the World Premieres of THAT UGANDA PLAY by Theroun D’Arcy Patterson and RAVENS AND SEAGULLS by Karla Jennings.  

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Daryl Fazio Featured Playwright in Florida Rep’s First Annual PlayLab Festival

The first weekend in May, Florida Rep held their first ever PlayLab Festival, “an intensive festival that showcases New Plays and New Voices in the American Theatre, and gives playwrights a safe environment to workshop their plays.” Out of approximately 100 plays considered for the festival, only four were chosen to be read. One of these was Daryl Fazio’s Split in Three, which Essential audiences may remember from the 2012 Bare Essentials series. Congratulations, Daryl!

A major goal of the PlayLab Festival, as with Essential’s own Bare Essentials Reading Series, is to give playwrights a chance to hear their words read aloud and receive feedback from cast and audience alike.

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New Website! ..& Thank-you to our Supporters!

Our new website is live, and it’s all thanks to our awesome supporters who helped us to fund it!

We hope you find the new website useful and informative. Here are some things you may want to check out:

Tremendous thanks to our New Website supporters: Jessica Fern Hunt,

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New Home for This Summer’s Essential Theatre Festival

Essential Theatre Festival Moves to West End For Another Summer of World Premieres by Georgia Playwrights

Atlanta, April 2014 – Essential Theatre continues its tradition of premiering the best new work by Georgia playwrights for Atlanta audiences with this summer’s Essential Theatre Play Festival, taking place July 18 through August 17 in its new home at the West End Performing Arts Center, located at 945 Ralph David Abernathy Boulevard.

Essential will be presenting the World Premieres of this year’s playwriting award co-winners, That Uganda Play by Theroun D’Arcy Patterson, and Ravens and Seagulls by Karla Jennings,

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TONIGHT AT ACADEMY THEATRE: Shirlene Holmes’s Pathways, performed by Brenda Porter

The Academy Theatre’s been up to some pretty exciting things since their move from Avondale Estates last year. With two new homes, one in Stockbridge and one in Hapeville, the iconic Atlanta theater is growing so fast it makes your head spin.

This weekend, they’re hosting a long-time Essential family member, Brenda Porter, as she performs the one-woman show, Pathways, written by Shirlene Holmes. Pathways takes audiences on a journey through the lives of some of the most engaging, dynamic and successful African American women in our history, women who have often been overlooked or marginalized by history text books.

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Nearly New Festival creator Park Krausen on showcasing work by living writers

This weekend, “discover ‘nearly new’ work by living writers, performed by some of Atlanta’s hottest directors and actors in dialogue with amazing writers, producers and theater makers from Haiti, Quebec, Belgium, France, San Francisco, Denver, Chicago and Los Angeles! Celebrate the voices of women and youth through plays, graphic novels, and readings from and about the French-Speaking World. Shine a light on contemporary issues like bullying behavior, our obsession with Facebook, our litigious society and mothers and daughters.”
-nearlynewfestival.brownpapertickets.com

 

Meet Park Krausen,

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Essential Director Ellen McQueen Chosen for First Atlanta Artist’s Lab

Longtime Essential Theatre director Ellen McQueen was one of the three artists chosen by the Alliance Theatre for the first Atlanta Artist’s Lab (AAL) program, through which she will be able to further develop The Projects Project, a multi-media theatre piece about the experience of people growing up in Atlanta’s housing projects. The Projects Project began as part of the 2012 Essential production of The Local, a collaborative theater project about the City of Atlanta, developed and directed by McQueen, a citywide portrait of Atlanta that Ellen conceived and directed,

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Henritze’s Play, Bitch of Balaclava, reading tonight as part of Brave New Works at Theatre Emory

Tonight at 7pm in the Schwartz Center at Emory, former Essential Theatre collaborator Patricia Henritze’s play, The Bitch of Balaclava, is being read as part of Theater Emory’s Brave New Works series.

 

Brave New Works is a festival of new play readings and exploratory workshops presented by the Playwriting Center of Theater Emory. Playwrights, adaptors, composers, and dramaturgs come together towork on these plays in development, with a combined company of student and professional actors.
I had the opportunity to connect with Patricia earlier this week and hear about her experience with Brave New Works, learn a little about tonight’s play,

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Congratulations to Karla Jennings and Theroun D’Arcy Patterson, Winners of the 2014 Essential Theatre Playwriting Competition!

ESSENTIAL THEATRE ANNOUNCES TWO WINNERS FOR THE 2014 PLAYWRITING CONTEST

Atlanta, January 2014 – Essential Theatre has just announced Theroun Patterson and Karla Jennings as co-winners of the 2014 Playwriting Competition.  “It’s taken us a long while to come to a decision this year,” observes Peter Hardy, Founding Artistic Director of the theatre, “because of the large number of strong submissions we received.  But we feel that both of these plays are worthy of the prizes and will be excellent contributions to our Festival this summer.” Both playwrights will receive a $600 cash prize and a full production in this summer’s Essential Theatre Festival.

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Thank you, Daniel Burnley

I’ve been meaning to write this post for awhile now, but every time I sit down to write, I get lost in the photos, my own memories and the Facebook posts from friends of Daniel’s. It’s been almost a month, and I still can’t believe we’ve done our last show together, that I’ve seen Daniel’s amazing talent onstage for the last time. This Thanksgiving, there’s a lot to give thanks for. And through the tears that still well up for a man that, let’s face it, I worked with once a year at most, I suppose it’s fitting that it took me till Thanksgiving week to be able to say it.

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