Tag Archives: actor

Thank you, Daniel Burnley

I’ve been meaning to write this post for awhile now, but every time I sit down to write, I get lost in the photos, my own memories and the Facebook posts from friends of Daniel’s. It’s been almost a month, and I still can’t believe we’ve done our last show together, that I’ve seen Daniel’s amazing talent onstage for the last time. This Thanksgiving, there’s a lot to give thanks for. And through the tears that still well up for a man that, let’s face it, I worked with once a year at most, I suppose it’s fitting that it took me till Thanksgiving week to be able to say it. Thank you, Daniel. There aren’t words enough, so just — thanks.

On October 25, 2013, the world lost a wonderful actor and human being, Mr. Daniel Burnley. The Essential Theatre was blessed to have him on our stage and in our family for many years, and our world will not be the same without him. He was an unforgettable man to those who knew him, and the characters he created onstage were unparalleled in my experience. 

Here are some thoughts that our artistic director, Peter Hardy, shared with me around the time of Daniel’s wake, which fittingly enough was held at Manuel’s Tavern, a longtime haven for the Atlanta theatre community.

“Most people in the Atlanta theatre community knew Daniel Burnley — over the past few decades he’d worked with most of the companies in town, at one time or another, along with a bunch of film work.  I got to know him in 2005, when I directed him in the Essential Theatre’s production of Sam Shepard’s THE LATE HENRY MOSS, which is a play I loved and really wanted to do, but don’t think I would have had the courage to take on if Daniel hadn’t been willing to do the title roll.  Which he was, and without really knowing me much at all, for which I’ll always be grateful.  He was splendid, and that show is still one of my proudest memories with the Essential Theatre, and Daniel went on to do exemplary work for us in four more productions — CHARM SCHOOL, JIM CROW AND THE RHYTHM DARLINGS, THE DARKER FACE OF THE EARTH and QUALITIES OF STARLIGHT.  In just about every case, Daniel was taking on a role for us that no one else (that was available to us) would have been willing or able to do — or, at least, not nearly as well as he did them.  Daniel told me repeatedly how much he believed in the work Essential was doing, and how he’d give up the chance to get (much) better playing work in films to do one of our projects.  Which was an honor for us, but also just a testament to the generous and committed person that he was.  All that being said, he was also just a good guy, a good friend, and someone that all of us will miss a lot.”

Thank you, Daniel, for your crass humor, your quick laughter, your generous spirit, your belief in the work we do at Essential, and for making that work better with your involvement. We love you, and we miss you!

Daniel Burnley (July 29, 1956-Oct 25, 2013)

http://www.imdb.com/name/nm1388682/
photo courtesy of Valerie Weaver

Interview with playwright Theroun Patterson

Interview with playwright Theroun Patterson

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Learn more about actor and playwright Theroun Patterson, winner of the 2011 Essential Theatre Playwriting Award and author of this Wednesday night’s Bare Essential play, That Uganda Play

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therounAbout That Uganda Play: I originally wrote the play in late 2011-early 2012 with a staged reading of the original draft with  Working Title Playwrights and Academy Theatre in January 2012.  The play started as a sort of knee jerk reaction to reading an NPR interview with David Bahati , a Ugandan Member of Parliament that introduced his Anti-Gay Legislation, causing an uproar with Gay Rights groups because the Bill essentially criminalized homosexuality and would have allowed for unprecedented governmental persecution of gays. The article simply made me angry. I started writing to try and understand that type of hatred, to know where it came from, and perhaps to feel better about a my own frustrations about a prejudice that I can’t control; that I can’t stamp out on my own. With the virulent anti-homosexual sentiments and violence in Africa and recently with the legislation signed into law in Russia, this play is timely and a sheds light on a very American involvement with such a controversial figure like Bahati. Not only that, but I wanted to ground the play within two families and show how a global problem works its way down into our most personal relationships. Honestly I hope a theatre with an interest in starting a community dialogue about social issues will produce this play. My hope is that it provokes debate and conversations late into the night long after its over.

About Theroun: I started as an actor, working for eleven years on Atlanta stages. I started seriously writing plays in 2005, producing and directing my own readings with the help of generous peers that donated their time and talents. In 2009, I joined Working Title Playwrights and wrote the first of four plays that year. I’ve written a dozen full lengths since 2006. I’m pleased to be working with Essential again after the production of my play A Thousand Circlets.

On the Bare Essentials Series: The reading series allows me the opportunity to refine the play and find new audiences for it to continue a dialogue generated by art.

What is it like to transition from acting to writing? As an actor, there was always an underlying anxiety about performing, but as a writer I have absolutely no fear. I’m willing to learn in front of others, to continue to grow and experiment with story and structure. Playwriting is the form of expression that fits me best as an artist. Acting is secondary to that.

Next for me, is a production of fugitive:EROS and The Chemicals Between Us with Out of Box Theatre next season, as well as the production of Origin Story with Academy Theatre in their new home. I’m also about to start on a new commission with Pinch N Ouch Theatre as well as Mad Hope Theatre Project.

The Bare Essentials series is free and open to the public. Donations graciously accepted. Complimentary wine before and after the show. For more information on all the readings as well as the other plays in the festival, visit www.essentialtheatre.com

Fri. Jul 1: “A Sleeping Country” Talkback with Sleep Expert Dr. Michael Rinow

Join in the brief discussion on the evaluation and treatment of sleep disorders with Dr. Michael Rinow, director of the Northside Hospital Sleep Center.

Dr. Rinow is a native of Upstate New York, Dr. Rinow received his Medical Degree from the State University of New York at Buffalo. He completed his Medical Residency and Pulmonary Fellowship at SUNY at Buffalo. After working as an Assistant Professor of Medicine at SUNYAB for 10 years, he was the Medical Director for the Critical Care Units and Respiratory therapy departments at a community hospital in Western NY. He moved to Atlanta in 1997 and worked as a Pulmonologist/Critical Care physician for Kaiser Permanente. He has been involved in the care of sleep medicine patients for over 30 years. He is boarded in Pulmonary Diseases, Critical Care and Sleep Medicine.

What do you do when you simply can’t sleep?

Julia Fracassi can’t get to sleep. Her insomnia has ruined the relationship with her boyfriend and has made her miserable. With guidance from her friend Dr. Midge, she embarks on a hilarious journey to Venice to find answers. Come along for the journey. Learn More.
Dr. Midge’s recommendations are anything but orthodox. So, we’d like to ask for your help. Please post comments with your suggestions. Dr. Midge will consider all your suggestions and offer two free tickets to any Essential Theatre Festival performance for the best advice. We need your advice prior to July 4th, so we can help Julia get a good night’s sleep.

2010 Essential Theatre Playwriting Award Winner

The Essential Theatre is proud to announce that the winner of the 2010 Essential Theatre Playwriting Award competition is Gabriel Dean’s Qualities of Starlight, a modern southern family comedy. Gabriel Dean has been working for some years on the Atlanta scene as an actor and playwright, and is currently pursuing an M.F.A. in the Playwriting Program at the University of Texas in Austin. His play Buy My House – Please! Is currently running at the Aurora Theatre in Lawrenceville. Mr. Dean will receive a cash prize of $600.00 and Qualities of Starlight will be produced as part of the 2010 Essential Theatre Play Festival, running at the Actor’s Express space in July and August of next year.

Valhalla: your comments

One of the most enjoyable, thought provoking plays I’ve seen in a long time. Times past and present merge so artfully that every time I thought I knew where this play was going it moved in an unexpected direction, as life, past and present, does. The acting, staging, direction of “Valhalla” have put this script on my “must read” list. Congratulations, Peter, for a grand kickoff for Essential Theatre’s 2008 Festival!
Valetta Anderson

I’ve just come home from opening night of “Valhalla,” the first play in the Essential Theatre Power Plays Festival. Script, direction, cast and crew — all were great. I loved every moment and encourage all to catch it! For a sneak peak of the production, as wells as show dates and times, go to https://www.essentialtheatre.com/
Jo Howarth

Johanna Linden: In Memorium

The Essential Theatre — and many, many other people — have lost a friend and colleague. Johanna Lindemann (whose stage name was Johanna Linden) passed away at her family’s home in Virginia, after a two-year battle with cancer.

Johanna was a fine, intelligent, skillful actress who was also a lovely person and a dream to work with. Atlanta audiences saw her perform with the Academy Theatre, Seven Stages, Theatre Gael, Actor’s Express, Soulstice Repertory and other companies, and we were privileged to have her work with us in MISS MACBETH and, just last summer, playing the title role in MRS. BOB CRATCHIT’S WILD CHRISTMAS BINGE. In November she took part in one of our play development reading workshops and, as always, she was at the top of her game, bringing insight and illumination to that process. We’ll all miss her.

Peter Hardy