Tag Archives: drama

What do you do when you simply can’t sleep?

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Julia Fracassi can’t get to sleep. Her insomnia has ruined the relationship with her boyfriend and has made her miserable. With guidance from her friend Dr. Midge, she embarks on a hilarious journey to Venice to find answers. Come along for the journey. Learn More.

Dr. Midge’s recommendations are anything but orthodox. So, we’d like to ask for your help. Please post comments with your suggestions. Dr. Midge will consider all your suggestions and offer two free tickets to any Essential Theatre Festival performance for the best advice. We need your advice prior to July 4th, so we can help Julia get a good night’s sleep.

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2010 Essential Theatre Playwriting Award Winner

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The Essential Theatre is proud to announce that the winner of the 2010 Essential Theatre Playwriting Award competition is Gabriel Dean’s Qualities of Starlight, a modern southern family comedy. Gabriel Dean has been working for some years on the Atlanta scene as an actor and playwright, and is currently pursuing an M.F.A. in the Playwriting Program at the University of Texas in Austin. His play Buy My House – Please! Is currently running at the Aurora Theatre in Lawrenceville. Mr. Dean will receive a cash prize of $600.00 and Qualities of Starlight will be produced as part of the 2010 Essential Theatre Play Festival,

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Jim Crow & the Rhythm Darlings by Vynnie Meli, 2009

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JIM CROW AND THE RHYTHM DARLINGS by Vynnie Meli. World Premiere. Directed by Betty Hart
Featuring: Rachel Bodenstein, Enisha Brewster, Daniel Burnley, DeAndrea Crawford, Nadir Mateen, Delesa Sims

It’s World War Two, and with so many men going off to serve, the previously all-male world of jazz is opening up to women for the first time. The International Rhythm Darlings are an all-female African-American band touring the Deep South, which would be a tough situation in the best of times … but now they’ve got a last-minute replacement in the group, a white Jewish woman,

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Peter’s Update: Valhalla by Paul Rudnick

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A few years ago, I directed the Essential Theatre’s production of Paul Rudnick’s THE MOST FABULOUS STORY EVER TOLD, which took a look at stories and themes from the Bible, seen through a gay perspective (starting in the Garden of Eden, with Adam and Steve). It’s still one of my favorites shows that we’ve ever done, and not just because it was funny as hell (line for line, I think Rudnick may be the funniest playwright working today). What I found most captivating about the script was the scope of its theatrical imagination and the depth and breadth of its exploration of spiritual issues.

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